Cranbrook Art Museum Presents Bent, Cast, and Forged: The Jewelry of Harry Bertoia

BLOOMFIELD HILLS, Mich., February 10, 2015 – Cranbrook Art Museum is pleased to announce that the exhibition Bent, Cast, and Forged: The Jewelry of Harry Bertoia will open on March 14, 2015. This is the first Museum exhibition devoted exclusively to Harry Bertoia’s designs for jewelry. It will run through November 29, 2015.

The exhibition will open with an exclusive ArtMembers’ reception on March 13, from 6-8pm, featuring a lecture from Celia Bertoia, Harry Bertoia’s youngest daughter and director of the Harry Bertoia Foundation. Memberships will be available for purchase at the door that evening at half-price.

Bertoia (b. 1915 – d. 1978) is a graduate of Cranbrook Academy of Art and a former Metalsmithing instructor. He has received international acclaim for his woven wire metal furniture and large bronze and copper sculptures, but his earliest exploration of the medium originated in jewelry design while still a student at Cass Tech High School in Detroit in the 1930s. Out of the hundreds of jewelry pieces attributed to Bertoia, the majority were produced during his years at Cranbrook in the early 1940s.

Bent, Cast, and Forged: The Jewelry of Harry Bertoia will display 30 jewelry works – and offers an early glimpse of a creative vision that would crystallize as his career matured. Bertoia was a student at the Academy from 1937-39, and stayed on as a Metalsmithing instructor from 1939-1943. While showing an early talent for silver-plated tableware at Cranbrook, wartime rationing forced him to work on a smaller scale, creating jewelry from melted down metal scraps from the shop – including wedding rings for Cranbrook friends Charles and Ray Eames.

“Harry Bertoia’s artistic legacy is tremendous, and with the upcoming centennial of his birth in March 2015, we thought it auspicious timing for an exhibition devoted to his jewelry — the first of its kind in a museum setting,” said exhibition curator Shelley Selim, Cranbrook Art Museum’s 2013-2015 Jeanne and Ralph Graham Collections Fellow. “It is thrilling to see his investigations of form and material in his early days as an artist and designer.”

According to Selim, it was during his time at Cranbrook that he also began to produce his monotype prints, several of which will also be featured in the show, “to illustrate how the artist harnessed the same intuitive and experimental approach to making in his planographic compositions,” she says. “This examination of Bertoia’s jewelry is not only a case study of one facet of a versatile career, but also an exploration of process and creative discovery. Bertoia made jewelry as a way of working out his conceptual interests—particularly the vital forces of nature and its cycle of growth and decay. The pieces in the show embody a developing visual language and artistic worldview that persevered and intensified throughout his entire career.”

This exhibition highlights Bertoia’s investigations of form, dimension, and material on a concentrated and bankable scale – establishing him as a pioneer of the American Studio Jewelry movement and a master of elevating fashionable adornment to objet d’art.

The exhibition features 30 objects in total, plus 13 monotype prints. In addition to the three works from Cranbrook’s own collection, there are pieces in the exhibition on loan from Renee Murphy, Kim and Al Eiber, the Montreal Museum of Fine Arts, the Philadelphia Museum of Art, Leah Gordon Antiques, Drucker Antiques, and the estate of Lois Rosenthal.

Bent, Cast, and Forged: The Jewelry of Harry Bertoia was organized by Cranbrook Art Museum and curated by Shelley Selim, the Art Museum’s 2013-2015 Jeanne and Ralph Graham Collections Fellow. The exhibition is sponsored, in part, by Wright Auction House, Kim and Al Eiber, and the David Klein and Kate Ostrove Exhibition Fund. The exhibition will be accompanied by a full-color catalogue published by Cranbrook Art Museum.

Other Exhibitions Currently on Display at Cranbrook Art Museum
The Cranbrook Hall of Wonders
Open through March 22, 2015

The Cranbrook Hall of Wonders draws its inspiration from the precursor to the modern museum: the “Cabinet of Curiosities” or “Wunderkammer,” a sixteenth-century collecting and display technique in which art, ornate functional objects, natural oddities, and anthropological discoveries co-existed together as a microcosm of knowledge. This contemporary interpretation is a floor-to-ceiling installation featuring Cranbrook Art Museum’s preeminent collection of artworks, design, and craft objects from the twentieth and twenty-first centuries, exhibited alongside cultural properties from Cranbrook’s historic campus, and inspired selections from the vast holdings of Cranbrook Institute of Science.

Theater of the Mind
Open through March 29, 2015
Theater of the Mind is an exhibition that focuses on the imagination of the audience. The term “theater of the mind” is used to describe a strategy of self-hypnosis in which one visualizes oneself as an actor projected on a screen, thereby simultaneously becoming the protagonist and the audience. Similarly, the artists and designers in the exhibition have created works that are actualized in the viewer’s imagination and produce narratives that are not tangibly visible, yet lucid and vibrant.

The exhibition includes seminal artworks by Bruce Nauman, Roni Horn, Hiroshi Sugimoto, Anthony McCall, and design collective Dunne & Raby/Michael Anastassiades. Theater of the Mind also features new work by Marcelline Delbecq, Detroit-based artist Adam Lee Miller, and an ambitious site-specific commission by Finnish artist Hans Rosenström, who created an immersive sound installation based on personal and archival research at Cranbrook.

MR. MDWST – A REAL GOOD TIME by BEVERLY FRE$H
Open through March 22, 2015
MR. MDWST is a continuation of the adventures of Beverly Fre$h—a stylized autobiographical character that doubles as an artist persona and stage name for Zack Ostrowski, a graduate of Cranbrook Academy of Art (2D ’09). Like a postmodern tale of the picaresque, Fre$h has traveled extensively over the last two years on a quest to understand, reconfigure, and interrupt the social constructs and cultural rituals of the rural Midwest. He created impromptu, site-oriented performances alone and with strangers at carnivals, country fairs, front yards, and back roads, which were recorded for a documentary titled The Outskirts (2014).  This exhibition presents a series of new works inspired by his performative research in the region and features four character tropes he met during his travels: The Badass, The Innocent, The Professional, and The Seeker.