CRANBROOK ART MUSEUM ANNOUNCES SUMMER EXHIBITION, LANDLORD COLORS: ON ART, ECONOMY, AND MATERIALITY

On View from June 21 through October 6, 2019 Exhibition will feature works by more than 60 artists produced during periods of economic and social upheaval in Cuba, Greece, Italy, South Korea, and Detroit  Bloomfield Hills, Michigan, January 28, 2018—In the summer of 2019, Cranbrook Art Museum will present Landlord Colors: On Art, Economy, and […]

Upcoming “Landlord Colors” exhibition profiled in the Financial Times

Read the full story here.

Tagged: Landlord Colors, Laura Mott

Daniel Arsham, The Source: A Catalog of Late-20th-Century American Relics

In The Source: A Catalog of Late-20th-Century American Relics, artist Daniel Arsham continues his fictional archaeology of the future through the creation of iconic objects and products of late-twentieth-century American life. Devoid of their natural coloration and in a seemingly petrified state, these newly produced works are exhibited as relics from the not-too-distant past—the unearthed […]

Tagged: Daniel Arsham, Snarkitecture

Landlord Colors: On Art, Economy, and Materiality

Landlord Colors: On Art, Economy, and Materiality reconsiders periods of economic and social collapse through the lens of artistic innovations and material-driven narratives. It examines five art scenes generated during heightened periods of upheaval: America’s Detroit from the 1967 rebellion to the present; the cultural climate of the Italian avant-garde during the 1960s-1980s; authoritarian-ruled South […]

Tagged: Landlord Colors

Wild Vinyl: Designer Art Toys

A creative outlet for many street artists, illustrators, and graphic designers, art toys emerged in the late 1990s in Asia before becoming a collecting phenomenon in the United States in the early 2000s. Produced in limited editions, designer art toys take the form of a child’s plaything, but are collected by adults, who value these […]

Tagged: designer toys, toys

Cranbrook Art Museum Fall Exhibitions Examine Alumni and Artists-in-Residence of Cranbrook Academy of Art

Exhibitions opening November 17 include: Annabeth Rosen: Fired, Broken, Gathered, Heaped Binion/Saarinen: A McArthur Binion Project Danielle Dean: A Portrait of True Red Bloomfield Hills, Mich., August 16, 2018— This November, Cranbrook Art Museum will open three exhibitions that showcase the incredible range of alumni and Artists-in-Residence that have emerged from Cranbrook Academy of Art […]

Danielle Dean: A Portrait of True Red

A Portrait of True Red (2016) is a first-person narrative told by Sam Jones, a fictional character who merges with a pair of Nike’s “True Red Vampire” sneakers (Dunk Low Pro SB, 2003). Her story weaves together historical accounts and contemporary texts from numerous sources, including: Tacky’s Rebellion, a slave uprising in Jamaica (1760); police brutality […]

Tagged: Danielle Dean

Binion/Saarinen: A McArthur Binion Project

In the studio of Chicago-based painter McArthur Binion, a handwritten note has been pinned to the wall for a decade that reads “Binion/Saarinen.” The artist’s initial concept was to create a painting inspired by architect Eliel Saarinen and his design of Cranbrook’s historic campus, where Binion received his MFA in Painting in 1973 and received […]

Tagged: Painting, Saarinen

Anarchy at the museum: Punk rock meets visual art at a pair of shows at Cranbrook | METROTIMES

As Cranbrook Art Museum director Andrew Blauvelt points out, the Latin root of the word “amatuer” is “love” — and that’s the spirit behind two upcoming shows at the museum, which delve into the visual world of punk rock ethos. “If you’re a graphic designer or nerd like I am, you’ll understand punk, because it […]

Tagged: 2018, Graphic Design, punk

Cranbrook’s ‘Too Fast to Live’ exhibit celebrates the art of punk rock | DETROIT FREE PRESS

From album covers to concert posters, each genre of music comes equipped with its own visual language that often feels like an extension of the music itself. At the Cranbrook Art Museum’s new exhibition “Too Fast to Live, Too Young to Die: Punk Graphics, 1976-1986,”  punk rock’s visual lexicon gets its due. The exhibit is considered […]

Tagged: 2018