Bloomfield Hills, Mich., July 18, 2016— On July 31, Cranbrook Art Museum will kick-off the local tour of the public artwork In Search of the Truth (The Truth Booth). The Truth Booth is a portable, inflatable video recording studio in the shape of a giant speech bubble. A Cause Collective project by artists Ryan Alexiev, Jim Ricks, Will Sylvester and Hank Willis Thomas, its interior is equipped to compile video responses by hundreds of people from different cultural backgrounds as they complete the sentence: “The Truth Is…”
The words “hippie” and “modernism” may seem to be opposing upon first glance. The anti-establishment rhetoric espoused by the late 1960s hippies, known for their agrarian practices, flowy outfits, mantras of peace and love and a communal lifestyle, do not exactly scream “modern.” However, in their adaptive and innovative dealings with the era’s new technology and media, these hippies found creative approaches for societal betterment that can be seen in many commonly accepted practices today.The Cranbrook Art Museum’s new exhibit, Hippie Modernism: The Struggle for Utopia, which is open now through October 9th, explores this tension and eventual reconciliation between what exactly makes the hippie so modern in a 21st-century lens. It is currently on its second stop on its three-city national tour, starting at the Walker Art Center and ending at the University of California Berkeley.
If you lack the tolerance for Hollywood blockbusters, here’s a tip to beat the heat in Detroit this summer: Take in “CC5 Hendrixwar/Cosmococa Programa-in-Progress,” the full-gallery installation of a work by Hélio Oiticica and Neville D’Almeida. Tucked away in the furthest reaches of “Hippie Modernism: The Struggle for Utopia” at Cranbrook Art Museum, the installation comes complete with gratifying tunes, soothing visual projections and hammocks.
For nearly five decades, John Glick has labored in his studio in Farmington Hills while developing a reputation as a “People’s Potter.”Now the Cranbrook Art Museum has organized a major retrospective of his work, “John Glick: A Legacy in Clay,” on display this summer at the Cranbrook Museum of Art in Bloomfield Hills.
For Andrew Blauvelt, the June 18 opening of “Hippie Modernism: The Struggle for Utopia” at the Cranbrook Art Museum represents both a scholarly interest and a chance to bring to life a piece of Cranbrook’s own history.
BLOOMFIELD HILLS, MICH.- The acclaimed exhibition Hippie Modernism: The Struggle for Utopia travels to Cranbrook Art Museum this June, bringing an examination of the intersections of art, architecture and design of the counterculture of the 1960s and early 1970s.The exhibition comes to Cranbrook from the Walker Art Center, where it enjoyed a successful run from October 24, 2015 through February 28, 2016. It was curated by Andrew Blauvelt, former Senior Curator of Research, Design and Publishing at the Walker who left that position to become Director of Cranbrook Art Museum in August of 2015. Cranbrook is the second of only three stops on the show’s national tour.
Cranbrook Art Museum announces the opening of our new exhibition, John Glick: A Legacy in Clay, which highlights the illustrious career of the ceramist and 1962 graduate of Cranbrook Academy of Art. The exhibition opened on June 18 and run through March 12, 2017.
Tagged: artdaily.org, John Glick: A legacy in Clay
Read More"Hippie Modernism: The Struggle for Utopia" is an exhibit opening Saturday at Cranbrook Art Museum. It looks into the unexpected ways that seemingly disparate movements of the '60s and '70s influenced one another in art, architecture and design. The museum's director, Adam Blauvelt, curated the exhibit and talks about what to expect.
Tagged: Andrew Blauvelt, Hippie Modernism: The Struggle for Utopia
Read MoreThe most innovative work from the next generation of architects, artists, and designers will be on display at the 2016 Graduate Degree Exhibition of Cranbrook Academy of Art. The Degree Exhibition showcases pieces that are the culmination of two years of studio work from a diverse group of more than 80 graduates as they launch […]
Sol LeWitt’s Wall Drawings 790A and 790B: Irregular Alternating Color Bands(1995) fill the Hartmann Gallery with serpentine bands of bold color applied directly to the wall. A pioneer of Conceptual Art, LeWitt conceived his wall drawings as a medium through which he could explore the concept of serial permutation while mining the tension between art […]
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