With summer fast approaching (though it does not always feel like it in mercurial Michigan!), it’s about time that we let ourselves take a break from our everyday lives of work and obligations to imagine ourselves in the soon-to-be summer sun, carefree and radiant. For some children, summer means boundless days, free from the shackles of oppressive homework. For others, summer is merely a lazy day on the hammock or a leisurely bike ride to the ice cream parlor. For some of us here in Michigan, summer promises treks up north, to the glistening lakes and sun-kissed days. It is truly beautiful here, whether summer or any other season, and it is this beauty that Arnold Blanch captures in his oil painting, The Hunters, which the Cranbrook Art Museum holds in its collection.
You may remember this past spring when my colleague, Shoshana Resnikoff, wrote a blog post about May Morris's Bed Hangings in celebration of her birthday. Well today on the blog we take a look at her father, William Morris (1834–1896), designer, poet, novelist, socialist, translator of Icelandic sagas(!), and all-around creative visionary who shaped the Arts and Crafts movement in England and its many iterations throughout Europe and the United States.
If it were up to me, every month would be Women's History Month, but alas for the foreseeable future it is *officially* delegated to March in the United States, and today is our last chance to celebrate! How auspicious that March 31 also happens to be the birthday of Pipsan (born Eva Lisa) Saarinen Swanson, designer of furniture, interiors, fashion, and textiles, and younger sister of one of the most recognizable names in modern architecture, Eero Saarinen. Pipsan's father Eliel was of course the architect of the Cranbrook Campus and President of the Cranbrook Academy of Art from 1932-1946, but before being lured to Bloomfield Hills by Cranbrook founder George Gough Booth, he was a visiting professor of architecture at the University of Michigan. One of his star students was Grand Rapids native J. Robert F. Swanson, who upon graduation founded the Swanson and Booth architectural firm at Cranbrook with his University of Michigan classmate Henry Scripps Booth, George's son. It was here that Swanson was introduced to Pipsan, and immediately Cupid wielded his mighty arrow--they were married in 1926. After Swanson broke away to establish his own firm, Swanson and Associates, Pipsan was enlisted as an interior designer for the company, and the husband and wife team would continue their working and romantic partnership for the rest of their lives.
On the 152nd anniversary of her birth (editor's note: plus one day, because this editor is on a research trip and didn't have time to get to the blog yesterday!), all of us at Cranbrook Art Museum are excited to wish artist and designer May Morris a very happy birthday! Born March 25, 1862 in Bexley Heath, England, May Morris grew up in an artistic community fueled by the beliefs of her father William Morris, a founder of the British Arts and Crafts Movement. Intellectually committed to her father’s movement, she learned needlecraft at the feet of her mother Jane, a Pre-Raphaelite model and muse for Morris and others.
A day late but with no less affection, we here at the Cranbrook Art Museum wish a very happy birthday to Albert Herter, born on March 2, 1871. The son of Christian Herter, one half of New York's famed Herter Brothers design and decorating firm, Albert went on to become a successful artist and decorator in his own right. Over his lengthy career he painted portraits of the Bouviers, executed many private and civic murals in the United States and Europe, opened and decorated an exclusive Montecito hotel for America's elite, and in 1908 founded the Herter Looms weaving company.
From this gusty tundra of unrelenting frigidity (-20 degrees with windchill today!), we here at Cranbrook Art Museum would like to extend our warmest and most heartfelt congratulations to Catherine Murphy, the 2013 winner of the Robert De Niro, Sr., Prize, awarded to one outstanding mid-career artist each year. Since the 1960s, Murphy’s representational paintings have been widely exhibited and prolifically produced, but the artist’s talent for nuanced channels of perception remains at times underappreciated.
What better way to celebrate Valentine’s Day than by taking a leisurely stroll around the Cranbrook campus in sub-zero temperatures, photographing ice formations and footprints in the snow? In 1977, artist Shiro Ikegawa (1933–2009) did just that, commemorating one of America’s most beloved and reviled holidays with a suite of eighteen photo-lithographs and silk-screened prints. Cranbrook Academy of Art’s printmaking department invited Ikegawa for a two week visit, during which time he led critiques and became an acting art director of sorts, supervising students as they executed his works on the lithographic press.
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