Trained as a curator and art historian, Claire Tancons practices curating as an expanded creative field and experiments with the political aesthetics of walking, marching, second lining, masquerading and parading. Her practice of processional performance has unfolded at Tate Modern’s Turbine Hall, inaugurated the Faena District Miami Beach and is developing as civic ritual for Printemps de Septembre in Toulouse for next Fall 2017.
Sponsored by the Fiber Department


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