This Walker Art Center-organized exhibition, assembled with the assistance of the Berkeley Art Museum/ Pacific Film Archive, examines the intersections of art, architecture, and design with the counterculture of the 1960s and early 1970s. Loosely organized around Timothy Leary’s famous mantra, “Turn On, Tune In, Drop Out,” the exhibition charts the evolution of the period, from pharmacological, technological, and spiritual means to expand consciousness and alter one’s perception of reality, to the foment of a publishing revolution that sought to create new networks of like-minded people and raise popular awareness to some of the era’s greatest social and political struggles, to new ways of refusing mainstream society in favor of ecological awareness, the democratization of tools and technologies, and a more communal survival.
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