Scott Hocking’s monumental installation near Atwater Beach on the Detroit Riverfront utilizes a collection of the metaphorical bones of Detroit’s once prosperous economy—the many boats abandoned throughout the city. Theatrically presented as a suspended fleet, Hocking applies “Bone Black” paint to the boats, an industrial pigment from animal bones that has been produced in Detroit since the 19th century.


Tagged: Material Detroit, Scott Hocking