From left to right: Harry Bertoia, George Nakashima, Richard Stein, Florence Knoll Bassett, Eszter Haraszty, Noémi Raymond, Dorothy Cole, Abel Sorensen, and Isamu Noguchi, 1951. © Tony Vaccaro / Tony Vaccaro Studio. Photo: Tony Vaccaro.
This large-scale survey of one of the most important and persistent movements of modern design in the United States in the twentieth century shines a light on Cranbrook’s pivotal role in its development and the contributions of additional women, LGBTQ+ individuals, and designers of color during this period. Based on the famous quote by Cranbrook alumnus and teacher Charles Eames, “Eventually everything connects: people, ideas, objects,” the exhibition contains some 200 works by nearly 100 artists, architects, and designers that explore the multitude of relationships between these three fundamental pillars. The exhibition features many new additions to Cranbrook’s collection of important furniture, textiles, and furnishings from the period. This expansive exhibition is accompanied by an equally expansive 400-plus-page book published with Phaidon and available from our shop that contains new insights by more than 25 historians.
Eventually Everything Connects: Mid-Century Modern Design in the US is organized by Cranbrook Art Museum and curated by Andrew Satake Blauvelt, Director, and Bridget Bartal, the MillerKnoll Curatorial Fellow. The exhibition and publication are generously supported by MillerKnoll, the Gilbert Family Foundation, the George Francoeur Art Museum Exhibition Fund, Karen and Drew Bacon, Marc Schwartz and Emily Camiener, and the Clannad Foundation.Copyright © 2024 Cranbrook Art Museum. All rights reserved. Created by Media Genesis.