Art that Speaks Truth to Michigan: Cause Collective’s Truth Booth Debuts at Cranbrook | Culture Source

Detroit, are you ready to speak your truth? This city is a place where several layers of truth coexist—sometimes peacefully, sometimes in harsh opposition. Many aspects of Detroit are painted as black-and-white issues, when it is, in reality, a place that contains various shades of gray and a lot of personal stories. Seeking truth is ostensibly the guiding principle of In Search of the Truth (The Truth Booth), a mobile recording studio by a team of artists known as Cause Collective that has been touring the world since 2011, offering participants of all stripes the opportunity to record their personal truths. Due to the efforts of Cranbrook Art Museum and their Curator of Contemporary Art and Design, Laura Mott—not to mention a large piece of funding from the John S. and James L. Knight Foundation—The Truth Booth is slated to make an lengthy tour of the region with their Michigan debut scheduled ...

Here’s your chance…Cranbrook art project looks for the truth…from all of us in metro Detroit | Detroit Unspun and The Hub

There are a lot of people out there telling us the “truth” about Detroit, the “truth” about its neighborhoods, the ‘’truth” about its people, and, given this is an election year, their version of the “truth” about just about anything. Has anyone asked you? Well, the Cranbrook Art Museum is going to. It’s all part of its new art project – In Search of the Truth. It is part of a long-term Cause Collective project by the same name, which began in 2011. Starting this Sunday, July 31, the museum will bring The Truth Booth to 12 locations throughout metro Detroit, Dearborn and Flint. This Sunday’s will be from 11:00 a.m. – 5:00 p.m. at the museum as part of its Family Day Celebration. The Truth Booth is a portable, inflatable video recording studio in the shape of a giant speech bubble. It has the equipment needed to compile your video responses and those ...

Cranbrook Art Museum asks: Can you handle the Truth Booth? | Detroit Free Press

The Truth Booth — a giant, inflatable, portable enclosure in the shape of a thought bubble — will make its way across Detroit and Flint over the next two weeks. The cartoonish pop-up bubble is a participatory public art installation that functions as a video recording studio. Visitors are invited inside an intimate white space to give semi-anonymous testimonial in two minutes or less. The only directions are to complete the simple thought, “The truth is...” But defining the truth is not always so simple. And that’s the point of this layered, inclusive project. “In Search of the Truth (The Truth Booth)” was created by the artist-driven Cause Collective and has grown in physical size and scope since it embarked on a world tour at the Galway Arts Festival in Ireland in 2011. The Truth Booth takes the contemporary concept of social sharing and makes it a private and personal matter staged outside of ...

Cranbrook Art Museum Brings “In Search of the Truth (The Truth Booth)” to Metro Detroit and Flint Next Week

First Stop at Cranbrook Art Museum on July 31 Complete Tour Schedule Below Bloomfield Hills, Mich., July 18, 2016— On July 31, Cranbrook Art Museum will kick-off the local tour of the public artwork In Search of the Truth (The Truth Booth). The Truth Booth is a portable, inflatable video recording studio in the shape of a giant speech bubble. A Cause Collective project by artists Ryan Alexiev, Jim Ricks, Will Sylvester and Hank Willis Thomas, its interior is equipped to compile video responses by hundreds of people from different cultural backgrounds as they complete the sentence: “The Truth Is…” The tour will debut on the grounds of Cranbrook Art Museum on July 31 as part of a Family Day Celebration from 11am – 5pm, and then immediately travel to 11 locations throughout Metro Detroit, Dearborn and Flint over the course of two weeks. At each location, participants will have up to two ...

Tuning In with Cranbrook’s Hippie Modernism | CultureSource

The words “hippie” and “modernism” may seem to be opposing upon first glance. The anti-establishment rhetoric espoused by the late 1960s hippies, known for their agrarian practices, flowy outfits, mantras of peace and love and a communal lifestyle, do not exactly scream “modern.” However, in their adaptive and innovative dealings with the era’s new technology and media, these hippies found creative approaches for societal betterment that can be seen in many commonly accepted practices today. The Cranbrook Art Museum’s new exhibit, Hippie Modernism: The Struggle for Utopia, which is open now through October 9th, explores this tension and eventual reconciliation between what exactly makes the hippie so modern in a 21st-century lens. It is currently on its second stop on its three-city national tour, starting at the Walker Art Center and ending at the University of California Berkeley. The term “Hippie Modernism” is often met with confused questions as what it even ...

Hippie Modernism at Cranbrook Art Museum highlights a struggle for utopia that remains relevant | KnightBlog

If you lack the tolerance for Hollywood blockbusters, here’s a tip to beat the heat in Detroit this summer: Take in “CC5 Hendrixwar/Cosmococa Programa-in-Progress,” the full-gallery installation of a work by Hélio Oiticica and Neville D’Almeida. Tucked away in the furthest reaches of “Hippie Modernism: The Struggle for Utopia” at Cranbrook Art Museum, the installation comes complete with gratifying tunes, soothing visual projections and hammocks. Along the way, you’ll have a chance to soak in an astonishing array of materials assembled initially for the Walker Art Center by Andrew Blauvelt; fortunately for Metro Detroiters, the exhibition seems to have followed on his heels as he assumed the mantle of director at Cranbrook Art Museum. The full-floor exhibition is a heady chaser to the massive survey of old and newly-commissioned works by Nick Cave, which was funded by a 2014 Knight Arts Challenge grant, and will be followed by a Knight Arts-funded ...

Premier Michigan potter Glick gets career retrospective show at Cranbrook | The Oakland Press

For nearly five decades, John Glick has labored in his studio in Farmington Hills while developing a reputation as a “People’s Potter.” Now the Cranbrook Art Museum has organized a major retrospective of his work, “John Glick: A Legacy in Clay,” on display this summer at the Cranbrook Museum of Art in Bloomfield Hills. “John is just a major figure in the Detroit Metropolitan creative community,” says Shelley Selim, the Cranbrook curator, who worked with Glick on the exhibition. She notes that Glick made thousands of pieces in his Plum Tree Pottery during a career spanning more than half a century and went through a number of evolutions since his graduation from the Cranbrook Academy of Art in the early 1960s. In the 1980s, Glick experimented with techniques borrowed from Japanese craftsmen, and in the 1990s he made giant slabs with Jackson Pollock-type glazes that he turned into decorative wall hangings. Before he retired ...

“Hippie Modernism” a throwback to the future at Cranbrook Art Museum | The Oakland Press

For Andrew Blauvelt, the June 18 opening of “Hippie Modernism: The Struggle for Utopia” at the Cranbrook Art Museum represents both a scholarly interest and a chance to bring to life a piece of Cranbrook’s own history. “I was interested in looking at art history that was kind of forgotten by other art historians,” says Blauvelt, a graduate of the Cranbrook Academy of Art in design and the new director of Cranbrook’s Art Museum. Prior to his appointment, he was a senior curator of research, design and publishing at the Walker Museum of Art in Minneapolis, where he first assembled the exhibit with the assistance of curators from the University of California-Berkley Art Museum. “They were interested in new things, like sound, that weren’t even considered art,” says Blauvelt, a specialist in the history of design. But the counterculture of the 1960s and ’70s, with its emphasis on seemingly ephemeral experimentation, has ...

“Hippie Modernism: The Struggle for Utopia” opens at Cranbrook Art Museum | ArtDaily

BLOOMFIELD HILLS, MICH.- The acclaimed exhibition Hippie Modernism: The Struggle for Utopia travels to Cranbrook Art Museum this June, bringing an examination of the intersections of art, architecture and design of the counterculture of the 1960s and early 1970s. The exhibition comes to Cranbrook from the Walker Art Center, where it enjoyed a successful run from October 24, 2015 through February 28, 2016. It was curated by Andrew Blauvelt, former Senior Curator of Research, Design and Publishing at the Walker who left that position to become Director of Cranbrook Art Museum in August of 2015. Cranbrook is the second of only three stops on the show’s national tour. The exhibition at Cranbrook Art Museum will run from June 18 through October 9, 2016. Hippie Modernism: The Struggle for Utopia presents a broad range of art forms of the era, including: experimental furniture, alternative living structures, immersive and participatory media environments, alternative publishing, and ...

First comprehensive exhibition of studio potter John Glick’s work opens at Cranbrook Art Museum | ArtDaily

BLOOMFIELD HILLS, MICH.- Cranbrook Art Museum announces the opening of our new exhibition, John Glick: A Legacy in Clay, which highlights the illustrious career of the ceramist and 1962 graduate of Cranbrook Academy of Art. The exhibition opened on June 18 and run through March 12, 2017. This is the first major exhibition to survey the immense range of ceramic vessels, tableware, and sculpture that has made Glick one of today’s premiere figures in American studio pottery. Glick operated his Plum Tree Pottery studio in Farmington Hills, Michigan, for 50 years. During this time, he remained committed to the art and craft of functional vessels and their incorporation into the rituals of daily life. Glick has recently retired and prepares to close his studio in anticipation of a move to California. John Glick: A Legacy in Clay includes more than 200 pieces representing all phases of Glick’s work, from the early vessels ...

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