CRANBROOK SIGHTING #8 Sighter: Chad Alligood Sighted: Jun Kaneko, Dango sculptures Location: Millennium Park, Chicago, IL Date: May 26, 2013 I spent the recent Memorial Day holiday in the Chicago area, seeing several awesome things for the first time: the Bean, Mies van der Rohe’s Farnsworth House, and the Art Institute of Chicago among many others. As I traipsed through Millennium Park on my way to the AIC, frankly giddy at the prospect of viewing Grant Wood’s American Gothic, I stopped cold in my tracks, captivated by a series of large-scale ceramic sculptures that looked vaguely like giant ice-cream pops. Thinking that perhaps these were the work of famed Cranbrook alum Toshiko Takaezu, I hopped the metal barrier to snap a couple of pictures (the open-air exhibition was closed that day for some reason; in the far distance of the image above, you can see the figure of the guard who yelled at me). The surfaces ...Read More
CRANBROOK SIGHTING #6 Sighter: Chad Alligood Sighted: Eliel Saarinen’s First Christian Church, 1940-42; Eero Saarinen’s North Christian Church, 1964; Harry Weese’s Cummins Engine Company Tech Center, 1968 Location: Columbus, IN Date: February 22, 2013 Part one of my road trip from Michigan to Kentucky brought me to the doorstep of Eero Saarinen’s Miller House in Columbus, IN. Here, then, I submit for your consideration part two: the rapid-fire highlights of my whirlwind, self-cobbled tour of Cranbrook in Columbus.3:02 PM, Friday afternoon: I need to be in Louisville, KY—about 75 miles away—by 5 PM. Short on time but long on curiosity, I decide to hit as many of the Cranbrook-related local gems of modern architecture as possible before I hit I-65 South. 3:04 PM: I wander out of the Columbus Area Visitor’s Center, map in hand, attempting to plot an architecturally significant route while walking. As I ponder which cool building is closest, I look up from ...Read More
CRANBROOK SIGHTING #5 Sighter: Chad Alligood Sighted: Eero Saarinen’s Miller House, 1953-57 Location: Columbus, IN Date: February 22, 2013 I love a good road trip. Chintzy roadside attractions, late-night caffeine stops, full-blast radio singing—I’m quite at home behind the wheel at 65 MPH. Road trips satisfy my compulsion to wander while feeding my admiration of classic American kitsch. My recent talk at the Kentucky Museum of Art and Craft provided the perfect excuse for a meandering journey from Michigan to Kentucky in my trusty ’91 Toyota Camry. At the behest of our preparator extraordinaire and resident design nerd Mark Baker, I scheduled a stop in Columbus, Indiana on the way down. Why Columbus, you might ask? The answers are so awesome and numerous that they require two blog posts. The first, and perhaps awesomest, is Eero Saarinen’s Miller House. Eero completed a relatively small number of residential commissions in his lifetime; Miller House certainly counts among ...Read More
CRANBROOK SIGHTING #3 Sighter: Chad Alligood Sighted: Daniel Libeskind’s World Trade Center site, 2003- Location: New York City Date: January 3, 2013 Over the recent holiday, I spent a glorious week in New York City, where I had lived for three years before accepting my position at Cranbrook. During my stay, I caught up with good friends and former colleagues, revisited old stomping grounds, and reconnected with important burritos of my past (El Centro in Hell’s Kitchen). Of course, as a museum professional and art historian, I also reveled in the sheer breadth of art experiences available to denizens of Gotham. At Ann Hamilton’s installation at the Park Armory, I swung on a giant swing in the company of pigeons and robed monklike actors. At the divine Ferdinand Hodler show at Neue Galerie, I faced the artist’s unflinching, obsessive portraits of his dying lover and muse. And at the Rosemarie Trockel retrospective at the New ...Read More
CRANBROOK SIGHTING #2 Sighter: Chad Alligood Sighted: Tony Rosenthal, T-Square, 1975-76 Location: Detroit, MI Date: September 24, 2012 Monday morning, 9 a.m. On a typical Monday at this time, I’m settling in to my sweet Knoll-designed desk in our newly-renovated office space at the museum. “Settling in” for me means checking my calendar and email, guzzling Diet Coke, and chowing down on granola bars. But this is no typical Monday: I stepped out of the car with my three museum colleagues into a gritty, industrial corridor on Detroit’s East Side—worlds away from the meticulously manicured lawns and bubbling fountains of Cranbrook’s campus. This is the setting for Venus Bronze Works, a local firm specializing in the conservation and restoration of outdoor sculpture. Giorgio Gikas, the founder and president of Venus, met us in his massive, hangar-like space to examine and discuss his ongoing conservation of T-Square (1975-1976), a large-scale outdoor steel sculpture by Tony Rosenthal (1914-2009) ...Read More
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