Tagged: 2024, Cranbrook Art Museum, Laura Mott
Read MoreHow We Make the Planet Move: The Detroit Collection Part IThe debut of works by Detroit artists added to the museum's permanent collectionSubtleism: Neha Vedpathak with Agnes MartinThird exhibition in the museum's Fresh Paint series featuring emerging artistsArtMembers Preview Party for All Fall Exhibitions: October 25, 2024Exhibitions Open from October 27, 2024 – March 2, 2025Sydney James, Bereavement?, 2023. Collection Cranbrook Art Museum. Gift of Rose M. Shuey, from the Collection of Dr. John and Rose M. Shuey, by exchange. Image courtesy of Anthony Hughes.BLOOMFIELD HILLS, MICH., Oct. 15, 2024 – This month, Cranbrook Art Museum will welcome three new exhibitions to its galleries, including two focused on the emerging and established talent from Detroit’s creative community.How We Make the Planet Move: The Detroit Collection Part I is the inaugural exhibition of Cranbrook’s newest collection devoted to celebrating and preserving the work of Detroit-based artists and designers. Subtleism: Neha Vedpathak with Agnes Martin will present a new ...
Tagged: 2024, Cranbrook Art Museum, Laura Mott
Read MoreTagged: 2024, Cranbrook Art Museum, Laura Mott
Read MoreExhibition is the first traveling retrospective of the artist’s work in 20 yearsOn view: October 9, 2024 – January 12, 2025Special ArtMembers Exclusive Weekend: October 5–6ArtMembers Preview Party for All Fall Exhibitions: October 25, 2024Toshiko Takaezu with her works at home in Quakertown, New Jersey, 1997. Photo: Bobby Jae Kim. The Montreal Museum of Fine Arts, Lilane and David M. Stewart Collection, gift of Bobby Jae Kim. BLOOMFIELD HILLS, MICH., Sept. 18, 2024 – This fall, Cranbrook Art Museum will present three new exhibitions to its galleries, including Toshiko Takaezu: Worlds Within, the first nationally touring retrospective of Takaezu’s work in 20 years. It will accompany two exhibitions featuring Detroit-based artists, How We Make the Planet Move: The Detroit Collection Part I and Subtleism: Neha Vedpathak with Agnes Martin, opening later in the month. All exhibitions support Cranbrook Art Museum's mission to continue to feature work from Detroit artists and those with a connection to Cranbrook ...
Tagged: 2024, Cranbrook Art Museum, Laura Mott, Toshiko Takaezu
Read MoreTagged: Andrew Blauvelt, Cranbrook Art Museum, Laura Mott
Read MoreTagged: 2024, Andrew Blauvelt, Cranbrook Art Museum
Read MoreIn 2016, Cranbrook Art Museum inaugurated a new permanent collection devoted to celebrating and preserving the work of artists and designers in the metro Detroit area—its first new collection in decades. At the same time, the Art Museum dedicated funds to acquire more works by women, artists of color, and LGBTQ+ identified individuals in a project to diversify its permanent collection. Designed to acknowledge the long-standing history of artists who have called Detroit home and the area’s rich and diverse community of practitioners, the Detroit Collection is particularly focused on art from the 1960s to the present in a variety of media. How We Make the Planet Move takes its title from a poem by Detroit-born poet, jessica Care moore, A Poem Saved My Life: An Homage to Detroit. Cranbrook Art Museum’s Detroit Collection itself aims to hold the art of Detroit up, giving it the attention and reverie it ...
Tagged: Cranbrook Art Museum
Read MoreTagged: 2024, Cranbrook Academy of Art, Cranbrook Art Museum
Read MoreAs part of A Modernist Regime: The Contemporary Cuban Lens, the solo exhibition Marco Castillo: The Hands of the Collector features several bodies of work by the artist and prolific collector of Cuban mid-century design that he initially started to amass while working as part of the artist collective Los Carpinteros (1992–2018). Castillo incorporates the aesthetics derived from Cuban modernism in his practice to resurrect Cuban design history and to critique the oppression by the government against artists, designers, and intellectuals in Cuba. Many of the artworks are named after modernist Cuban architects and designers in homage to this forgotten generation of creators, including Gonzalo Córdoba, María Victoria Caignet, Iván Espín, Reinaldo Togores, Heriberto Duverger, Clara Porset, and Félix Beltrán—all of whom are featured in the companion historical exhibition, also on view at the museum, A Modernist Regime: Cuban Mid-Century Design. Castillo’s work often references the aerial view of the ...
Tagged: 2024, Cranbrook Art Museum, Cuba, Laura Mott
Read MoreAs part of A Modernist Regime: The Contemporary Cuban Lens, the exhibition Cuba Dispersa (Cuba Dispersed) features six artists and designers—Julío Llopíz Casal, Liliam Dooley, Anet Melo Glaria, Celia González Álvarez, Hamlet Lavastida, and Ernesto Oroza—that respond to the current conditions in Cuba. As of now, none of the artists live in Cuba, with some forced into exile. Over the past few years, the Cuban government has launched a campaign to suppress the artistic community and control creative production through official legislation, such as Decree 349, in an attempt to quell the outpouring of anti-government artwork and music. The exhibition features six new commissions that use their individual practices to mine these design and material histories to elucidate the past and imagine potential futures. As co-curator Abel González Fernández explains, “When looking at Cuba, we must recognize our fascinating, tragic, elegant, and complex Cuban history. What are we going to ...
Tagged: 2024, Andrew Blauvelt, Cranbrook Art Museum, Cuba, Laura Mott
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