A Portrait of True Red (2016) is a first-person narrative told by Sam Jones, a fictional character who merges with a pair of Nike’s “True Red Vampire” sneakers (Dunk Low Pro SB, 2003). Her story weaves together historical accounts and contemporary texts from numerous sources, including: Tacky’s Rebellion, a slave uprising in Jamaica (1760); police brutality towards Black Panther member Assata Shakur; violence against factory workers in contemporary China; and excerpts from Nike advertising copy and product reviews. Minimally staged against a backdrop of cast shadows that recall the bodily gestures and athletic poses from Nike commercials, the protagonist dons a pair of the vermillion trainers while relating a tale of vampiric colonialism and the violence of subjugation. Dean’s work examines the construction and commodification of race, gender, age, and class, while exploring themes of colonialism and global capital, often by blending fiction and reality and blurring subject and object. Danielle Dean ...
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