“Cranbrook Time Machine: Twentieth Century Period Rooms” is a small but utterly charming show of four interiors that all channel the zeitgeist of their respective eras. Drawn from Cranbrook’s vast reserves of furniture and artifacts, these little stage sets variously represent the early Arts and Crafts aesthetic that emerged in England during the late Victorian Period, the 1960s bachelor pad, a 1970s experiment in cave dwelling and a post-modern fun house circa 1980. The show was curated by museum director Andrew Blauvelt and Laura Mott, curator of contemporary art and design. Of the four spaces, “The Bachelor Pad” is easily the most fun with its styling from TV’s “Mad Men.” It’s heavy on modernist furniture by George Nelson, Eero Saarinen and Charles Eames, and rich in accessories ripped from the pages of a Playboy magazine guide to stylish and irreproachable masculinity: ashtrays, tumblers, cocktail shakers and other symbols of virility. Death and virility seemed to ...Read More
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