To view all of our exhibitions for free, purchase a museum membership! Influential street artist Shepard Fairey has been a consistent presence in national and international art scenes since the 1990s. The LA-based artist is perhaps best known locally through his downtown Detroit mural at One Campus Martius, his ubiquitous Hope image created originally as a grassroots activism tool to support Barack Obama’s 2008 presidential campaign, and the pervasive We the People poster series for the 2017 Women’s March and beyond. Shepard Fairey: Salad Days, 1989-1999, considers the first 10 years of Fairey's artistic practice, and its roots in the graphic language and philosophies of the punk scene. Punk’s ethos played a decisive role in the artist’s early work. “When I discovered punk rock, and realized that music could have an attitude in its style but a specific point of view in its lyrics,” states Fairey, “I became even more interested in how ...
Tagged: 2018, Shepherd Fairey
Read MoreTo view all of our exhibitions for free, purchase a museum membership!Too Fast to Live, Too Young to Die: Punk Graphics, 1976-1986, explores the unique visual language of the punk movement from the mid-1970s to the mid-1980s through hundreds of its most memorable graphics–flyers, posters, albums, promotions, and zines. Since its rebellious inception in the 1970s, punk has always exhibited very visual forms of expression, from the dress and hairstyles of its devotees and the on-stage theatrics of its musicians to the graphic design of its numerous forms of printed matter. As such punk’s energy coalesced into a powerful subcultural phenomena that transcended music to affect other fields such as visual art and design. Arranged thematically, the exhibition is the largest of its kind, and it explores various visual design strategies and techniques, such as appropriation, collage, parody, and pastiche, as well as the influences of genres such as science fiction, horror, and ...
Tagged: 2018, Shepherd Fairey
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