In The Source: A Catalog of Late-20th-Century American Relics, artist Daniel Arsham continues his fictional archaeology of the future through the creation of iconic objects and products of late-twentieth-century American life. Devoid of their natural coloration and in a seemingly petrified state, these newly produced works are exhibited as relics from the not-too-distant past—the unearthed remains, perhaps, of some unknown cataclysmic event. For the first time, such objects will be displayed as archaeological artifacts inside the gallery, heightening the illusion of veracity and sense of authenticity. In his Future Archaeology series, Arsham chooses iconic objects dating from the late twentieth and early twenty-first centuries—a time of technological acceleration and obsolescence that witnessed increasing virtualization and dematerialization of the physical world. The objects are eroded casts that are expertly fashioned from materials such as sand, selenite crystal, or volcanic ash. The choice of objects for this presentation—from the worlds of sports and ...
Tagged: Daniel Arsham, Snarkitecture
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